|
UNIT
THREE
21.
Iambic What? Elements of Poetry,
Part 1
Learning to read and write the concentrated language of poetry can make
you a stronger writer as you learn to make every word count. This
introductory lesson focuses on poetry’s basic form, including rhythm and
rhyme.
22. Iambic What?
Elements of Poetry, Part 2
There’s more to poetry than counting syllables and creating rhyme. Once
you understand its form, you can create word pictures for the reader
though vivid, figurative language.
23. Roses Aren’t Always
Red: Poetry Analysis
When
journalists want to know something, they ask who, what, when, where,
why, and how. To write and appreciate poetry, you can ask the same
questions and get to the bottom of what a poem means.
24. Whose Eyeglasses?
Point of View
A
writer can present a story from different narrators’ viewpoints. We
examine the advantages and drawbacks of using first-person,
third-person, and omniscient points of view — and how to avoid problems
that confuse readers.
25. Creating Believable
Characters
How
do you know what a character will do? A good writer builds his
characters (even the bad guys) from the feet up and the inside out. This
lesson shows how to do that — and how to show personality through action
and dialogue.
26. He Said, She Said:
Creating Dialogue
One
of your most versatile tools, dialogue can establish conflict, move the
plot, increase tension, develop characters, add emotional depth, reveal
prior events, and clarify situations. We introduce ways to create
effective dialogue.
27. The Plot Thickens:
Story Structure
A
good story grabs readers, keeps their attention, and provides a
satisfying resolution. We’ll study the elements of classic plot
structure, as well as some fun formulas that can inspire story ideas.
28. Getting to Know
You: Interviewing and Writing a Profile
Some
of your best stories may come from other people. But that means learning
to conduct an effective interview, then weaving that information into a
compelling presentation. This lesson gives important tips and techniques
for both.
29. Contests and
Compilations
Some
of the best ways to get published when you’re starting out is through
writing contests and book compilations. But not all contests and
compilations are legitimate, so we guide you to find the right ones.
30. Where Does Your
Idea Fit?
A
writer can have a great idea but fail to recognize what to do with it.
Often ideas need work to fit a magazine or publisher’s needs. We’ll help
you develop an idea, customize it, and find the right home.
|
UNIT
FOUR
31.
The Welcoming
World of Magazines
An excellent
way to get published — and reach a huge
audience — is by writing for magazines.
We’ll introduce you to the advantages of
this place where you can hone your craft,
make publishing contacts, and build a
writing portfolio.
32. Writing an Effective Query Letter
A good writer
learns to be a good marketer. To place an
article with a magazine, you need to be able
to pitch your idea. This lesson will help
you craft a query letter that informs the
editor about your article’s merits.
33. Literary Terminology: The Writer’s
Palette
Choosing just
the right word or phrase is like an artist
selecting the perfect color. We’ll focus on
techniques that add color, dimension,
detail, depth, and perspective as you craft
vivid word pictures.
34. The Writer’s Workout
Get ready to
sweat. Before you begin writing, try warming
up your imagination and creativity. We’ll
start with exercises to help you prepare.
Then to grow your writing skills, we offer a
series of verbal stretches, calisthenics,
weight training, and cardiovascular
techniques
35. The Play’s the Thing:
Reading and Writing Drama
You may not
realize it, but you’ve already assimilated
the basic elements of scriptwriting from
years of dramatized stories on film,
television, and at school. We’ll help you
learn the elements and techniques of this
fun, fast-paced format.
36. Forensics
You’ve learned
how to write for a reader. But writing for
listeners requires its own skills. As we
consider monologues, dialogues, speeches,
and debates, you’ll learn the elements of
writing for the ear.
37. So You Want to Write a Book?
Writing a book
and getting it published are two entirely
different tasks. This lesson gives the cold,
hard facts of publishing — as well as
encouraging news for new writers wanting to
test the publishing waters.
38. Writing a Solid Book Proposal
A good book is
preceded by a good book proposal — the
formal manner for presenting an idea to a
publisher. We introduce you to the many
detailed elements a publisher needs to
consider when deciding whether to accept
your book.
39. Writers on Writing
Rub shoulders
with the experts. In this lesson, well-known
writers such as Jerry B. Jenkins, Robin
Jones Gunn, Bill Myers, and Angela Hunt
share about their writing life — to inspire
you to develop yours!
40. Known by Our Words
How should the
words we write align with the Word of God?
What does it mean to write in a way that
pleases the Lord? Our final lesson examines
the marks of a professional Christian
writer.
|